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describe your pallet

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Meadowlark4_max50

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Posted 11 months ago

 

What colors do you always put on your pallet?
Which ones "lose it" when mixed together?
What is your favorite brand of paint and why?
I'm in the very beginner stage with acrylic on canvas and I use Winsor-Newton Galleria version.
I think some of my colors lose their "pop" when mixed and would like some feedback on which not to combine to avoid this or any advice along that line.
Thanks, ya'll

Photo_user_banned_big

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Rate This | Posted 11 months ago

 

I work on glass paintings, so I use a oil base paint,

Meadowlark4_max50

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Rate This | Posted 10 months ago

 

I found this site to help answer my questions-http://www.goldenpaints.com/artist/mixguide.php

Meadowlark4_max50

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Rate This | Posted 10 months ago

 

This is a helpful site- http://www.liquitex.com/techniques/tipsarchive.cfm#top

Meadowlark4_max50

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Rate This | Posted 10 months ago

 

And this one-http://www.winsornewton.com/main.aspx?PageID=51

Photo_user_blank_big

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Rate This | Posted 10 months ago

 

I am notorious for using whatever paint I dig up in the studio. Liquitex is the usual culprit, but I have been known to use craft paint, dry pigments and lots of texturizing mediums. I guess that it helps that my paintings are very textural. Lately I am in love with Golden fluid acrylics in a metalized Iron oxide. I can layer on anywhere from 20-40 different coatings to build the surface resulting in many layers popping through.

1_2__max50

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Rate This | Posted 10 months ago

 

I'm a beginner at acrylic painting as well and I only put a few primary colors on my pallate at a time. I like mixing colors myself, so I don't buy alot of colors, just the building blocks. It also helps me to have a color chart to look at. I find that using opposite colors for shadows and light is very effective and realistic, like purple for a yellow shape.

Wood_park_exhibit_2_max50

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Rate This | Posted 10 months ago

 

I use liquitex- primary colors, plus black and white and earth colors mostly to produce abstract paintings. I try to keep my palette bright! Dennis


You can get paintings, prints, t-shirts, and many other items with my artwork on them at:
http://www.artwanted.com/artist.cfm?ArtID=43374
OR
http://www.redbubble.com/people/artknechtion
Have a Great Day! Dennis

Aman2_max50

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Rate This | Posted 10 months ago

 

Im not biginner but i always use use (most of the time anyway) primary colors and black and white. thats about it! I likt to be able to make my own colors!

Rockstar_max50

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Rate This | Posted 10 months ago

 

I have dioxazine purple, Hooker's green, pthalo blue (green), bright yellow green, light cadmium yellow, mars yellow, red oxide, siennas, umbers, Payne's grey, naphthol crimson, quinacridones, tons of Ti white, and lots of metallics and interferences. I enjoy the purest, most saturated tones. I also love the true earth tones.

Rockstar_max50

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Rate This | Posted 10 months ago

 

Oh yeah, and I do mostly Liquitex. Golden and Jacquard are in there too. As a note, if you mix more than two interferences together (regardless of any regular pigment addition, say diox violet+int. blue+int. green) the micas lose their ability to reflect their specified light waves. You just end up with a dull pearl.

Steve_edwardsen_max50

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Rate This | Posted 10 months ago

 

I like the thickness of Golden in jars because I tend to work so opaque. My pallet tends to be on the loud candy color side, when I do tone down colors, I use complimentary colors to do that with. Which isn't that often I assure you. I guess no kid would pick an earth tone jelly bean, and I tend to paint with a kid in a candy store stomach. I changed my highlights to include the canvas or board "showing through" because of the "chalkiness" of titanium white. Took me a while to figure that one out.

My next experiment will be to do a monotone underpainting and use color glazes using acrylic medium...wish me luck.

Rockstar_max50

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Rate This | Posted 10 months ago

 

flossygomez said:

I like the thickness of Golden in jars because I tend to work so opaque. My pallet tends to be on the loud candy color side, when I do tone down colors, I use complimentary colors to do that with. Which isn't that often I assure you. I guess no kid would pick an earth tone jelly bean, and I tend to paint with a kid in a candy store stomach. I changed my highlights to include the canvas or board "showing through" because of the "chalkiness" of titanium white. Took me a while to figure that one out.

My next experiment will be to do a monotone underpainting and use color glazes using acrylic medium...wish me luck.

As long as you stick with a transparent warm color, like alizarin golden or burnt sienna, you should be good. It's WAY easier to cool down the warms than it is to warm up a viridian or a pthalo (blue or green). I do this with both acrylics and oils. Warm greys are nice, too, especially if you like a very subdued, oceanic feel. But that doesn't seem to up your alley... Your pallet actually sounds like my hair looked this last summer. It was red and hot pink, then yellow, then green, then blue and purple, then white, then pink again. I'm amazed I still have it!

Steve_edwardsen_max50

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Rate This | Posted 9 months ago

 

Maybe I can paint your head one day. I guess painting obeys the law of thermodynamics?

Rockstar_max50

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Rate This | Posted 9 months ago

 

Hey, I'm up for anything. Just as long as there's no more bleach involved (well, no higher than a 12% peroxide mixture). I'm tryin to grow my hair out. And it's black naturally. So, knock yourself out! I'll get an updated shot for you if you like!