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Where to begin...

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Shadows_of_whispered_enlightenment_max50

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Posted 9 months ago

 

I am looking into starting acrylics. I've working in oils, water colors and ink... but where to begin to learn how to use this medium. I thought it best since it is non toxic, dries quickly and since I have a three year old... thought it to be a good idea. I need to learn the basics first.... so some ideas for projects and you can look at my art I posted and see my style... any suggestions would be appreciated.

Scaramouche... in Twilight's Shadow... a Dream....

Wood_park_exhibit_2_max50

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Rate This | Posted 8 months ago

 

For abstract paintings I generally begin my painting by taking a piece of masonite and priming it with gesso . Than I sand it smooth with an electric vibrating sander. After cleaning all the dust off of it, I decide what my primary color will be for the painting and cover the whole board with a coat of mainly that color. I let it dry then sketch the basic layout of the painting then start painting in layers starting with the background first and building it forward until the piece is complete.If you are doing a non-representational abstract you might want to begin the same way,to insure that the board or canvas is completely covered with paint when completed. Then, you can begin painting and mix your paint on the board or canvas if you like quickly and in one layer. I warn you , however, my methods were developed by trial and error- not from some prestigious art college. Dennis


You can get paintings, prints, t-shirts, and many other items with my artwork on them at:
http://www.artwanted.com/artist.cfm?ArtID=43374
OR
http://www.redbubble.com/people/artknechtion
Have a Great Day! Dennis

Rockstar_max50

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Rate This | Posted 8 months ago

 

The coolest thing about acrylics is that it can mimic both oils and watercolors. In fact I use acrylics in lieu of waterproof inks in my Chinese brush paintings. Just experiment!

Sooznel_max50

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Rate This | Posted 7 months ago

 

Like Artknechtion (Dennis), my methods are developed by trial and error. Given that I'm still deep in the trial and error phase, I find that getting started is one of the hardest and yet one of the most rewarding points in a painting. I am now getting over 'ruining' a canvas', 'wasting paint', etc. I remember balking at an artist who once told me, 'nothing on canvas is precious.' I though, 'what?!!!!' Argh - I wanted all my paintings to be precious. Releasing myself from that constraining illusion allows me to just feel through the process rather than be bound by it.

Rockstar_max50

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Rate This | Posted 7 months ago

 

sooznel said:

Like Artknechtion (Dennis), my methods are developed by trial and error. Given that I'm still deep in the trial and error phase, I find that getting started is one of the hardest and yet one of the most rewarding points in a painting. I am now getting over 'ruining' a canvas', 'wasting paint', etc. I remember balking at an artist who once told me, 'nothing on canvas is precious.' I though, 'what?!!!!' Argh - I wanted all my paintings to be precious. Releasing myself from that constraining illusion allows me to just feel through the process rather than be bound by it.

You know, nothing is precious... but nothing is a waste either. Every "mistake" or "ruined canvas" is a learning experience. Positive or negative, it is valuable. I had a hard time with this concept myself, since it was such a huge financial burden for me. Buying a $5 canvas and cheap student grade paints was painfully extravagant for me. So I wanted EVERYTHING to count, be a masterpiece, what have you. But you don't learn anything by not making mistakes and ruining things. Besides, acrylic is easy to cover! :)

Dscn0330_max50

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Rate This | Posted 7 months ago

 

Someone once told me that there are no "mistakes" in art, just creative errors that we can work to our advantage.

Moderator160_max50

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Rate This | Posted 7 months ago

 

Scaramouche! Scaramouche! So how have the acrylics been working out for you? If you were already used to painting with heavy-body material like oils I can't imagine it was too big of a transition (except for that whole "super-fast drying time" thing, which sometimes is good/sometimes is bad) What did you think about working with them?